“We all want to know art. Why not try to understand the song of a bird?…individuals who make an effort to explain pictures are usually barking up the wrong tree.” – Pablo Picasso. What Picasso says about understanding art is extremely highly relevant to how we approach Large Abstract Canvas Art. Many individuals believe that abstract paintings must have a particular meaning of some sort, which could be clearly understood and articulated if only they knew how. This misconception is not helped by the endless supply of people prepared to spout nonsense as to what they believe the artist was seeking to say. The almost inevitable consequence of this situation is that people can either feel like they are being excluded from sharing in a few secret knowledge, or alternatively conclude that abstract painting is certainly all a sham. In any event, the effect is the fact that lots of people usually do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark in terms of my very own paintings are involved. Should I had a specific message or a which means I was able to articulate in words, then I would articulate it in words – the painting would have no purpose. The complete reason for creating an abstract painting is it embodies something that only it could, in a way that should not be put in words. It is far from an essay it really is a painting – it encompasses and expresses things in a language that is certainly unique for the medium of paint. That is why we must not make an effort to ‘understand’ abstract paintings in how people sometimes feel they ought in order to.
The viewer should never choose a clear narrative inside an abstract painting – it is really not going to tell a tale, or refer to another ‘subject’ in the same manner that the figurative painting will. But that does not mean there is absolutely no meaning or no subject, or that abstract paintings cannot contact and move people. When asked about subject material, the Abstract Expressionist artist Jackson Pollock said, “I am the subject”. Pollock’s statement is not just true, it really is inevitable.
The experiences, personality, memories and mood of the abstract artist cannot help but be fed in to the Large Black and White Wall Art in the event the artist approaches the work in an open and honest way. I do not require an outside subject or idea before I can create a painting – I simply begin. The reality that I am just me and no-one else is why my work different to anyone else’s, and the same is true of all the artists. The colours I choose, the marks a make, the accidents I choose to leave, or to obliterate, they are everything i choose as a result of who I am just.
If you were to present several different artists with the exact same basic design on the canvas and ask them to pick-up a brush and develop the painting, the variations in whatever they would choose to do will be enormous. We have watched other abstract artists at work on paintings and thought “I might never in a million years have chosen that colour and set it there.” Not because I think it is wrong or bad, but because they are who they are and (to quote that other leading artist, Morrisey!) “only I am I”.
Abstract paintings – There are numerous great types of painting out there, as a result of a wealthy art history that has seen movement after movement. The term abstract art is frequently used a blanket term to describe non-representational art – that is the deficiency of recognisable subjects. Abstract art was linked to the rise of modernism over the last century, getting into the mainstream with abstract expressionism in post-war art but still continuing to influence artists today.
What brought concerning the qualities we percieve in abstract art? The flattening in the artist’s canvas surface is certainly one major quality, as artists moved away from a convincing illusionism towards broader-minded thinking. With all the invention of photography releasing the artist from painting as a method of recording reality, they began seeing the canvas surface being an object in their own right, with all the canvas as being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and begun to form their own qualities in accordance with how it was handled. The paint could exhibit ‘personality’, it had its own dimensions and exposed a multitude of xsjvnx techniques we percieve in artwork with the last century. One of the main reasons artists began Large Custom Paintings in an abstract way was the opportunities for greater creativity. It allowed to get a greater range of expression and the development of ideas that had been not dependent on representing reality anymore.