For every great master painter of genres throughout history, like the Oil Paint Abstract Painting, you will find hundreds, perhaps thousands, of artists whose work will never see the outside of their home or studio, or the home of their family members. These artists are like the “American Idol” contestants who insist that they sing well, despite all evidence to the contrary. They make art not because they’re any good at it, but simply because they love carrying it out.
There exists nothing as contemporary and abstract as bad art. Bad art has occurred throughout history, though with the advent of contemporary art, modern art, and abstract art, which question popular and standard conceptions of beauty, bad art has flourished. The essence of modern art is eliminating convention, and this includes what we consider good (or beautiful) art and bad art.
There’s actually a location on earth where these issues aren’t just observed, but celebrated: The Museum of Bad Art (MOBA), in Dedham, Massachusetts, just away from Boston. (Their second branch is within nearby Somerville.) MOBA has a permanent collection of 500 bits of, as his or her motto states, “art too bad to become ignored.” Their stated goal is, as his or her founders assert, “to celebrate the labor of artists whose works could be displayed and appreciated in hardly any other forum.”
MOBA was founded in 1994, after antique dealer Scott Wilson found a painting, “Lucy in the Field with Flowers” (which had become the museum’s signature piece), within the trash. He showed it to a few friends, who suggested that he start a selection of similar bits of Abstract Painting Acrylic. At first, the primary collection was shown in Wilson’s friends’ home, however it soon became very popular and enormous they had to go it to some more permanent place.
MOBA doesn’t just exhibit any bad art, so my attempts at portraiture (that are really just stick figures) wouldn’t ensure it is to the museum. Works accepted into MOBA has to be original and also have serious intent, but they will need to have significant but interesting flaws. The curators of MOBA refuse to display art that’s deliberately kitsch, or bad for bad’s sake. At any rate, MOBA will be the only museum on the planet committed to collecting and exhibiting the worst. Its collection is really a tribute to the sincerity from the artists who preserved their works even when something has gone horribly wrong during this process. Quite simply, MOBA celebrates an artist’s straight to fail, and to fail gloriously.
The very presence of MOBA, some say, is a reaction to the advent of Contemporary Art Abstract Paintings in early 20th century, which made art more esoteric and fewer accessible for most people. To the majority of Americans, museums are intimidating places ruled by experts whose tastes are mysterious and impossible for most people to comprehend. MOBA is in direct vhhhlg for this trend. Its curators insist that they’re not parodying art; instead, they’re parodying the art world.
The reaction of lots of the museum’s visitors is extremely interesting. A number of the exhibits get them to laugh out loud, as well as in some methods, frees them as much as have opinions and discuss what they see. Teachers in the Boston area took their students to MOBA, and after that to more prestigious museums like Boston’s Museum of Fine Arts. Their MOBA experiences free them from feeling intimidated and to become more expressive concerning the art there.